why is david lynch's wild at heart criterion

Just about the only prediction this year that turned out to be accurate was the one that advised that all was unpredictable under the jurisdiction of the pensive and often-scowling Moretti.It’s easy to divide David Lynch’s career into sections of surprising commercial accessibility and complete mainstream alienation - the cultural breakthrough of Twin Peaks being the best representation of the former, the borderline solipsistic experimentation of Inland Empire standing in for the latter. Festival director Thierry Fremoux personally held an umbrella for Audrey Tautou, star of Claude Miller's closing night film, 'Therese Desqueyroux,' as she headed up the famous steps in a calf-length ivory lace gown with a bodice heavily embroidered in gold.Īctress Berenice Bejo, an international sensation since her starring role and subsequent Oscar nomination for 'The Artist,' performed mistress of ceremonies duties in a white, bridal-looking strapless sheath with long train, her only jewel an enormous heart-shaped emerald ring.

The foul weather that has marred the usually sunny festival continued to the end, and elite guests and movie stars alike walked a red carpet tented by a plastic roof as the rain fell on the multi-colored umbrellas of the surrounding crowds. The jury was seated onstage in a solemn group, and the awards given with a modest amount of fancy-dress formality, a bit of unrehearsed fumbling, and acceptance speeches that were short, dignified and to the point. The 65th Cannes Film Festival's eleven days of prediction, wild speculation and gossip, some of it centering on the notoriously cranky personality of this year's jury president Nanni Moretti, came to an end Sunday evening in festival's business-like awards ceremony (or Soiree de Palmares, as the French call it) that traditionally lacks the extended let's-put-on-a-show aspect of the Oscars.

Why is david lynch's wild at heart criterion